Topkapı Palace now welcomes visitors to three newly opened historic areas, making it one of Istanbul’s top destinations for cultural exploration. After extensive restoration, guests can experience the Black Eunuchs’ Ward, the Concubines’ Courtyard, and a dedicated gallery for İznik and Kütahya tiles.
These sections were under restoration for years, and now they uncover fascinating details of Ottoman palace life. By exploring these new spaces, visitors learn more about the private world of the sultans and the rich history that shaped Istanbul.
The Ward of Black Eunuchs (Karaağalar Koğuşu) is opening to the public for the first time in the palace’s history, 360 years after they were built. This structure took over 10 years to restore. It now shows everyday objects that give a glimpse into 16th-century palace life. These unique items from the Topkapı Palace collections show how people lived and what their daily routines were.
Wax figures recreate scenes from daily life, while period objects, wall paintings, and archival photographs place the ward in its historical setting. The ward also includes items from the time, wall paintings, and archival images. These elements add rich historical context to the space. This building represents the common style of the Ottoman Classical period.
The Black Eunuchs, known as karaağalar, once lived here after being forcibly taken from regions such as Sudan, Somalia, and Ethiopia in North Africa. Since castration was forbidden within the Ottoman Empire, the eunuchs arrived already enslaved and altered from distant lands beyond the empire’s borders, destined to serve in the palace harem.
However, their status within the palace was far more important than that of an “ordinary” enslaved person. These eunuchs managed the daily operations of the harem. They held some of the highest positions in the Ottoman State Protocol. As they climbed the ranks, they gained power and amassed great fortunes and estates. The Chief Black Eunuch (Karaağalar Ağası) became one of the palace’s most influential officials. He supervised the Harem and played an important role in administering charitable endowments connected with Mecca and Medina, the Holy Sites of Islam.
An oil painting of the Chief of Black Eunuchs by Francis Smith in the 18th century
This three-staged dormitory, one of the previously hidden spaces within Topkapı Palace, gives an idea about the architectural characteristics of the 17th century. These three stages show the Karaağalar’s position in state protocol and their duties within the Ottoman Palace. The dormitory section serves as a space for training and education of Black Eunuchs, who came to the palace at a very young age. They first settled on the upper floor and then moved down to the lower floors as they gained seniority.
This mysterious ward shows the structure of the Ottoman state administration and explains how different classes related to each other in the palace. By walking through the ward, visitors can better understand that the Harem was a highly organized institution with strict rules, ranks and responsibilities.
The three-staged ward with wax of a black eunuch (Photo: Sena Nur Albayrak)
The Concubines’ Courtyard (Cariyeler Taşlığı) connects to the Harem. For the first time, it’s open to the public. Visitors can now explore the historic bathhouse and the Sultan's private Kuşhane Kitchen. This offers a fascinating glimpse into Ottoman daily life. Visitors can see realistic wax figures and rare cultural artifacts from the 16th century. In these sections, palace life is brought to life through wax figures that reflect the era's characteristic features.
The new sections at Topkapı Palace, now restored, are significant for the history of the Ottoman harem. The Concubines’ and Kadınefendi’s Courtyard is the harem’s smallest courtyard. It is surrounded by the quarters of the kadınefendis and concubines. Constructed in the mid-1500s, the Courtyard includes living spaces and essential areas like a hamam, laundry room, and pantry. The hamam, among the oldest parts of Topkapı Palace, has three sections: the cold room, warm room, and hot room. This bathhouse showcases nearly 120 artifacts that highlight the era and bath culture.
An engraving of the Harem by Meiling, a French architect from the 19th century
Another newly opened section in the Topkapı Palace Harem is the Kuşhane Kitchen. Located on the Golden Road, this kitchen prepared special meals for the sultans. In addition, meals to be served to the sultans are brought from the palace kitchen and served here, and this kitchen is also used when meals are needed at night. The Kuşhane Kitchen now welcomes visitors with a modern exhibit. It showcases items from the Topkapı Palace Collection, like tombak, silver, and copper pots and spoons.
Inside the kitchen, a silicone statue of a cook in period dress helps bring the space to life. Through these historical details and its focus on Ottoman culinary culture, the Kuşhane Kitchen is a must-see section of Topkapı Palace.
One of the most exciting new areas at Topkapı Palace is the special gallery dedicated to İznik and Kütahya tiles dating back to the 16th century, icons of Ottoman art and a highlight for visitors. These stunning tiles, famous for their vibrant colors and historical value, have amazed people for over five centuries.
Tiles define the palace's spirit; without them, the building would lose its historic charm. In Turkish, glazed architectural tiles are commonly called çini, a word historically associated with China and Chinese ceramics.
Tiles are a truly valuable part of the National Palaces Collection, particularly at Topkapı Palace. Of course, the tiles here refer to those used decoratively in the various spaces. In this regard, Topkapı Palace boasts a particularly rich collection of tiles. These special tiles, which reflect the golden age of Turkish tile art, particularly during the palace’s construction and its 16th-century renovation, are among the top attractions that visitors should not miss.
The Tiles Section in the Gallery (Photo: Sena Nur Albayrak)
Making a tile is a difficult process. These ceramic tiles are produced by mixing raw materials such as quartz clay, glass powder (frit), dolomite, marl, and chalk dust in specific proportions, applying underglaze and overglaze decorations, and firing them at temperatures between 850 and 950 degrees. Artisans understand the basic production process, yet reproducing the luminosity, colors, and technical consistency of the finest sixteenth-century İznik tiles is still impossible.
The technique behind İznik tile-making is still not fully understood, adding a sense of mystery and wonder to this essential part of the palace experience. Exploring this renovated gallery lets visitors appreciate the artistic brilliance and rich heritage that make Topkapı Palace a must-see destination in Istanbul.
The Mabeyn Road Tile Gallery displays the best examples of İznik and Kütahya ceramics from the National Palaces Collection. Moreover, the corridor where it is displayed is no coincidence. This is Mabeyn Path, which connects the public and private part (Harem) of the palace. Mabeyn means “between the two things”. Here, the tiles display their prominence in palace life. Tiles have always been part of the Ottoman palace culture and the mosques. This is particularly evident in the Blue Mosque, with glamorous tiles inside.
Before your visit, check the Topkapı Palace Museum website for current opening hours, admission prices, and temporary closures due to restoration. You can also take a look at our tips to navigate your visit below.
Absolutely. The newly opened areas help visitors see the Harem as a vibrant community with daily routines and complex roles, not just a series of lavishly decorated chambers.
Each new space is a discovery of palace life:
Together, they provide a full picture of a real palace life for the people who lived and worked behind the palace walls.